515 Free Images of Red Chalk And Graphite

paper yale center for british art drawings in the yale center for british art henry thomas alken romanticism metropolitan museum of art george stubbs drawings in the metropolitan museum of art pen and brown ink drawings by george stubbs

Scene Two from the Life of the Reverend Jean de la Barrière, Mathieu Elias, 1707

drawings in the metropolitan museum of art mathieu elias

Cattle and Shepherds in a Southern Mountainous Landscape, Karel Dujardin

drawings by karel dujardin dutch golden age painting

Théâtre Italien (Gioacchino Rossini, 1792-1868), Eugène Delacroix, 1821

théâtre italien by eugène delacroix romanticism

Scene Four from the Life of the Reverend Jean de la Barrière, Mathieu Elias, 1696

drawings in the metropolitan museum of art mathieu elias

Design for a sepulchral monument with two figures, Pieter Verbrugghen the Younger

drawings in the metropolitan museum of art drawings by pieter verbrugghen ii

Scene Six from the Life of the Reverend Jean de la Barrière, Mathieu Elias, 1690

drawings in the metropolitan museum of art mathieu elias

Scene One from the Life of the Reverend Jean de la Barrière, Mathieu Elias, 1692

drawings in the metropolitan museum of art mathieu elias

Sketch of Trees with a Statue on a Pedestal, Félix Buhot

drawings in the national gallery of art (washington, d.c.)drawings by félix buhot

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Design for a Cartouche-Shaped Gold Box, Hubert-François Gravelot

drawings by hubert-françois gravelot rococo

Portrait of a Young Lady with an Amber Necklace, Thomas Lawrence, 1814

portrait drawings by thomas lawrence romanticism

Design for a Cartouche-Shaped Gold Box, Hubert-François Gravelot

drawings by hubert-françois gravelot rococo

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through, Henry Thomas Alken

drawings in the yale center for british art henry thomas alken

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Tiger Skeleton, Lateral View, George Stubbs, 1795 to 1806

drawings of animals by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Leopard Body, Lateral View, George Stubbs, 1795 to 1806

drawings of animals by george stubbs romanticism

Studies of Fairies with a Pair of Hands (possibly representing the Opening of Pandora's Box), William Lock, 1784

drawings in the metropolitan museum of art william lock the younger

Human Anatomy Exposition - *Blood Vessel Study, Lateral View*, George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Owl Standing, Anterior View, George Stubbs, 1795 to 1806

chicken anatomy by george stubbs romanticism

Corps de Garde (Barbarians Defeated by a Book), Philip James de Loutherbourg

drawings in the yale center for british art philipp jakob loutherbourg d. j.

Study for "M. de Pourceaugnac", Jean-Baptiste Pater

drawings in the metropolitan museum of art drawings by jean-baptiste pater

Study for "M. de Pourceaugnac", Jean-Baptiste Pater

drawings in the metropolitan museum of art drawings by jean-baptiste pater

Study for "M. de Pourceaugnac", Jean-Baptiste Pater

drawings in the metropolitan museum of art drawings by jean-baptiste pater

Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles, George Stubbs

drawings of animals by george stubbs romanticism

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Anne Ward Morland, George Morland, circa 1786

drawings in the national gallery of art (washington, d.c.)george morland

Allegory of Fame, Charles-Nicolas Cochin, 1773

drawings in the national gallery of art (washington, d.c.)drawings by charles-nicolas cochin fils

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" ', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" ', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road, Henry Thomas Alken, between 1809 and 1823

drawings in the yale center for british art henry thomas alken

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Elevation of the Amphitheatre and Entrance Gate of the Collège des Chirurgies, Paris, Gabriel de Saint-Aubin, circa 1752

gift of mr. and mrs. charles wrightsman gabriel jacques de saint-aubin

Elevation of the Amphitheatre and Entrance Gate of the Collège des Chirurgies, Paris, Gabriel de Saint-Aubin, circa 1752

gift of mr. and mrs. charles wrightsman gabriel jacques de saint-aubin

Scene from "The Tomb of Master André", Claude Gillot, c. 1705/1708

drawings in the national gallery of art (washington, d.c.)drawings by claude gillot

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Tiger Body, Lateral View (Shows the third stage in dissection), George Stubbs, 1795 to 1806

drawings of animals by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles), George Stubbs, 1795 to 1806

drawings of animals by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection), George Stubbs, 1795 to 1806

drawings of animals by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Human Skeleton, Lateral View, George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Human Figure, Posterior View, George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Human Skeleton, Anterior View, George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Leopard Body, Lateral View (First of Five Studies of Another Large Cat), George Stubbs, 1795 to 1806

drawings of animals by george stubbs romanticism

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could, Henry Thomas Alken, between 1809 and 1823

drawings in the yale center for british art henry thomas alken

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Vignette Illustrating Torquato Tasso's "Jerusalem Liberated" (X:78), Giovanni Battista Piazzetta, 1745

drawings by giovanni battista piazzetta in the metropolitan museum of art the elisha whittelsey collection

A Cleric Accompanying a Lady on Her Morning Walk, Pierre Thomas Le Clerc, 1778/80

drawings in the national gallery of art (washington, d.c.)gift of gertrude laughlin chanler

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Human Figure, Posterior View (Further Study for Table XII), George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Human Body, Posterior View (Outline Drawing for Table VII), George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Study of the Human Figure, Anterior View (Outline Drawing for Table VI), George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Human Figure, Lateral View (Outline Study in Reverse of Table VIII), George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Study of the Human Figure, Anterior View (Probably related to Table XI), George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Human Figure, Posterior View (Finished Study for an Unpublished Plate), George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

Portrait Studies of Mary Wills in Cowsslip, John Kemble, Edmund Kean and Mrs. Siddons, March 31, 1802 and April 1, Samuel De Wilde

drawings in the yale center for british art samuel de wilde

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Fowl Body, Lateral View (Study for the Key Figure to Table XV), George Stubbs, 1795/1806

drawings of animals by george stubbs romanticism

Paul Gauguin by Archibald Standish Hartrick, 1913, red and black chalk, watercolor, and opaque watercolor over graphite - Courtauld Institute of Art, London - DSC00756, Paul Gauguin

post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivism portraits of paul gauguin

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Vignette Illustrating Torquato Tasso's "Jerusalem Liberated" (X:78), Giovanni Battista Piazzetta, 1745

drawings by giovanni battista piazzetta in the metropolitan museum of art drawings in the metropolitan museum of art

Study of a Man's Head with a Full Beard, Alphonse Legros

drawings by alphonse legros in the national gallery of art (washington, d.c.)realism

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII), George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table, Alfred Stevens

drawings in the yale center for british art social realism

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Drawing, Project for Carved Panelling, 1650, Giovanni Francesco Romanelli

interior design drawings in the cooper–hewitt, smithsonian design museum drawings by giovanni francesco romanelli

Drawing, Project for Carved Panelling, 1650, Giovanni Francesco Romanelli

interior design drawings in the cooper–hewitt, smithsonian design museum drawings by giovanni francesco romanelli

Low Buildings and Doorway, possibly a stage set design, Herbert Crowley, 1911–24

herbert e. crowley symbolism

Four Landscapes, possibly stage set designs, Herbert Crowley, 1911–24

herbert e. crowley symbolism

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Gustave Moreau, Fortune and the Child 1883. Watercolour, gouache, graphite and red chalk, Gustave Moreau

fortune and the child (1883) by gustave moreau symbolism

Portrait of Théodore Tronchin (médecin), Jean-Etienne Liotard, c. 1763, graphite, black and red chalk, blue watercolour on paper, 24.2 by 18.5 cm, private collection, Jean-Étienne Liotard, 1 January 1763

portrait drawings by jean-étienne liotard théodore tronchin

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before', Henry Thomas Alken, between 1831 and 1832

gouache works in the yale center for british art henry thomas alken

Naples from Sir William Hamilton's Villa, Portici, John Robert Cozens, circa 1783

drawings by john robert cozens in the yale center for british art naples by john robert cozens

Lucien Ott Portrait d'un officier 001, Lucien Ott

Gustave Moreau, The Dream of an Inhabitant of Mongolia, 1881. Watercolour, gouache, graphite and red chalk, Gustave Moreau

watercolor paintings by gustave moreau symbolism

Gustave Moreau, The Animals Stricken with the Plague, 1883. Watercolour, gouache, graphite and red chalk, Gustave Moreau

watercolor paintings by gustave moreau symbolism

Gustave Moreau, The Head and Tail of the Snake (detail), 1884. Watercolour, gouache, graphite and red chalk, Gustave Moreau

watercolor paintings by gustave moreau symbolism

Gustave Moreau, The Elephant and the Monkey of Jupiter, 1882. Watercolour, gouache, graphite, pen and ink and red chalk, Gustave Moreau

watercolor paintings by gustave moreau symbolism

Gustave Moreau, The Frogs who Ask for a King, 1884. Watercolour, gouache, graphite and red chalk, Gustave Moreau

the frogs who ask for a king (1884) by gustave moreau symbolism

Adam en Eva, RP-T-1997-12(R), Adriaen van der Werff, between 1669 and 1722

dutch 18th-century drawings in the rijksmuseum amsterdam baroque

Christ bearing the cross LCCN2005696656, Jan Gossaert, 1500

drawings (master) collection in the library of congress prints by jan gossaert

John James Audubon - Northern Bobwhite and Red-shouldered Hawk watercolor study, circa 1825

audubon paintings in the new york historical society buteo lineatus (illustrations)

CoypelHistoireTemps, Charles-Antoine Coypel, 1726

drawings by charles-antoine coypel allegories

Sight (One of the Five Senses), Hendrik Goltzius

drawings by hendrick goltzius in the museum boijmans van beuningen mannerism

Francesca Cuzzoni, soprano, Philippe Mercier

francesca cuzzoni philippe mercier

401 - 500 of 515 Next page

/ 6